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Henri van Raatle, c. 1910

Purchased with funds provided by L Gordon Darling AC CMG 2009

Listening to form

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

François Péron, c. 1805

Collection: National Portrait Gallery
Purchased 2010

Tete A Tete (Face to Face)

Organised by the National Portrait Gallery, London and Magnum Photos, London, with the Australian tour managed by the Art Gallery of Western Australia.

Matisse and Portraits

Exhibition of prints and drawings by Henri matisse scheduled to coincide with the NPG's annual lecture: Hilary Spurling - "Matisse's Women".

Portrait 25

This issue of Portrait Magazine features Kym Bonython, Florence Broadhurst, Frank Fenner, Henri Matisse, animated portraits and more.

Portrait 13

This issue of Portrait Magazine features Nancy Wake, Jon Campbell's portrait of Paul Kelly, George Selth Coppin, Henri Cartier-Bresson and more.

Neighbourhood Watch, 2015

Elvis At 21

Elvis at 21 is a photographic exhibition capturing Elvis’ rise to fame in the year 1956, before security and money built walls between him and his fans.

Insightful

Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.

Capturing the Mouse

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Intimate Portraits

Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture

Self portrait, 1976 (printed 2005)

Collection: National Portrait Gallery
Gift of the artist 2005

Famous

Australian photographer Karin Catt has photographed world leaders, a host of rock stars and Oscar-winning compatriots Russell Crowe, Nicole Kidman, and Cate Blanchett.

Elvis at 21 media information

Press releases and images downloads for media.

Michael Kimmelman

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

Myles Nelson

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

Arianne McNaught

An interview with the photographer.

Charles Blondin, 1874

Collection: National Portrait Gallery
Purchased 2018

Arianne McNaught

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Sharon Zwi

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

9 lives of Karin Catt

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

Louise Whelan

I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.

Hail Cézanne

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

The eye and the heart

Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

Donated duo

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

Ken Done

With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Touchy touchy

Tony Curran ponders whether our phones can change the course of painting.

Fugue in Yellow

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

NPPP 2016 exhibition essay

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Love my way

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Demimonde liaisons

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.